This article was originally published on the Battlefront website, here. This article is a follow-up of Painting WWI German AV7 tank: the art of enamel washes. As demonstrated recently in another tutorial on painting Painting WWI French Fusiliers: How to create mud bases, the idea is to create mud effects rather than simply painting them. While wargamers often resort to the dry-brush technique using acrylics to simulate mud, the results, while interesting, may lack the texture typically associated with this particular effect. To address this, we can turn to specialized products designed to achieve hyper-realistic mud effects. These products not…
How to create mud bases
This article was originally published on the Battlefront website: here. As wargamers, we frequently opt to paint bases rather than create them. While it is true that we usually incorporate some form of texture, often achieved by adhering sand with glue, the subsequent step typically involves multiple layers of drybrushing painting. However, for the sake of achieving more authentic bases and scenery, it is advisable to create the texture entirely instead of relying on painting. A notable example is mud; painting mud effects can be quite challenging, while creating realistic mud effects becomes remarkably straightforward when employing the right tools…
Painting 15mm WWI French Fusiliers: Combining washes and layering
Wargamers frequently find themselves seeking a balance between painting and gaming, which often leads them to prefer fast painting techniques. These methods are typically straightforward and swift, and, importantly, highly effective. However, it is worth noting that the trade-off is often between speed and quality, with quality being inversely proportional to the time invested. In this tutorial, we will explore the fusion of a fast-painting technique that involves washes with a more sophisticated method by incorporating successive layers of highlights. To clarify, we will begin with the conventional ‘base + wash + highlight’ technique and progressively enhance our results…
Winter camouflage using a washable paint
I recently published another post describing the “hairspray technique“, which is commonly used to create a “washable” white camouflage in scale models. During the WWII, this camo was done with a special type of white paint with little grip, so that it was easily removed with water during the thaw, causing effects of wear due to rain and rubbing of crew. However, we can create this type of camouflage following an easier approach with an specific acrylic product: Washable White Camo A.MIG 0024. We only need to apply a single layer and then activate it with water, skipping the…
Trench and mud
I had the great opportunity to prepare a diorama for the cover of Wargames Soldiers and Strategy #90, where I have represented one of the probably most charismatic scenes of the last century wars, a trench raiding. More specifically, a German counter attack to take a trench section back. I wanted to share with you some details addressing the preparation of this diorama, although you will actually find more information inside the magazine. Additionally, in this very same WSS issue I have published a complete step-by-step painting guide of the Spanish 1898 colonial army, using the new miniatures from 1898…
Extreme weathering in 15mm: Mark IV
Almost two years ago I received a number of lovely 15mm WWI tanks from Battlefront Miniatures, and I started immediately working on a video-tutorial to explain how to paint a British Mark IV tank. I completed the first part of the tutorial regarding how to paint the base color and published the video (see below). Nevertheless, the poor quality of the video discouraged me from recording a second part. Instead, I put the tank into a box with the idea of buying a new video camera in the future. Unfortunately, I haven’t had the chance (nor the money) to buy…
How to paint a British Sherman tank, and a new book: Painting Wargame Tanks
It’s a great pleasure to announce a new book published by AMMO of Mig Jimenez where I have actively been collaborating beside Mig Jimenez and Carlos Cuesta. The book contains 96 pages. After a short introduction about general materials and techniques (differences between acrylics and enamels, what is a filter or a wash, how to clean the airbrush…) you can find ten complete painting guides “step by step” of different tanks (mostly Germans, but there are also from USA and Soviet Union). The three firsts pretend to assimilate the knowledge showed in the introduction (we can say “basic level”), while…
How to paint 15mm tanks: German spider mech
While I am learning new hobbies (and sports) in this lovely Finish land, such as ice swimming, ice hockey or cross-country ski, I had enough time to paint and prepare a painting guide featuring an interesting Panzermech from ClockWork Goblin miniatures. I love this theme! In the past, I painted a couple of walkers from DreamPod9, and I currently attempt to paint as many E-series tanks as I can from Forged in Battle or Heer46. All in 1/100 scale or 15mm, of course!, my preferred scale. In this occasion, I’ve prepared a complete painting guide. However, I want to notice…
How to do a dusty road
Because I’m currently living in Finland, from a while I wanted to paint a Finish vehicle. First, I thought about a captured soviet T-26 tank. But the Stug III G it’s more impressive!. And I decided to display it in a dusty road. After gathering some information, thanks to some friends, I decided to paint a tritonal camouflage, very similar to the German one. And although I prepared a mud base when I started this project (because the ambient influence!), the Finish Stug tanks fought in the Continuation War, in Jun and July of 1944. Therefore, I switched the viewpoint…
How to make mud
We have spoken several times about how to do mud on the undercarriage, using pigments or pastels like tool. In this occasion, I propose you other simple way to use them, with one additional idea: simulate a granulated texture. To explain this process, I have used a 15mm (1/100 scale) miniature from The Plastic Solider. As I told before, the main tool will be the pigments. Nowadays, we can find a really enormous amount of pigment colors on the market. Thus, I have an important collection of pigments in my hands, so I can get any color I want. I’m…